The Ampex 602 boasted at the time to be the smallest stereo reel to reel for the professional market, though it looks bigger than the none professional Akai recorders, it’s a lot thinner making it even smaller in volume to an Akai M7. These machines where build to a high standard electronically though the casing I have found is not, the amplifiers are two separate units, sometimes these where used on their own as mic amps.
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